Review: Watchmen

Alan Moore’s Watchmen is an interesting creature; critically acclaimed, held in high esteem by a small but hardcore group of fans, until it’s feature film debut this month it was virtually unknown by the mainstream. Not just a long form comic, it justifies the phrase “Graphic Novel.” And until now it was believed to be unfilmable.

Which begs the question; does Zach Snyder’s adaptation prove Watchmen is filmable? Obviously, it’s been filmed. How successfully is up for debate.

For those not familiar with the film or the comic, Watchmen takes place in an alternate version of 1985. We’ve won in Vietnam, Nixon has been reelected for a third term, and the Cold War is still going strong. Russia is moving into Afghanistan, the doomsday clock is set permanently to five minutes to midnight. Oh yeah, and Superheroes are real. Ozymandias, Rorschach, Comedian, Nite Owl, Silk Spectre, all ordinary citizens who happen to like fighting crime and wearing a mask. The only one amongst them all who has any real super power is Dr. Manhattan.

Watchmen is a history study of the evolution of these heroes; from the gimmicky Minutemen of the days following WWII to the Watchmen themselves. The story goes from their early glory, to the public backlash that leads to masks being outlawed, and finally to the present day and their redemption. These “Superheroes” are human and flawed. Watchmen is as much satire as it is case study. Where is the line between good and evil? Where does morality lie? What makes a hero and who is really the villain?

The complexity of Watchmen is what makes it so great. It’s not where the story goes, but how it goes about getting there. It’s this complexity that made many fans believe it could not be made into a movie. It’s also what had those same fans waiting over two decades to see if they were right while they secretly (or not so secretly) hoped they were wrong.

Early on fans heard rumors that the ending of Watchmen had been changed. “No Squid!” circled the internet. Honestly though, I think the film would have benefited from more changes. The Squid works well enough in the book (either you’ve read the book so I’m not spoiling anything or you haven’t, in which case you have no idea what I’m talking about) but I can’t imagine that working very well on screen, astronomical CGI costs aside. Losing the squid was not tragic and the ending could have potentially worked fine without it. What makes the ending of the graphic novel so effective are all of the details. It’s all the accumulation of all the small tragedies. The imagery in the film is evocative of September 11th for sure, but it doesn’t have the same human face. It’s sterilized.

I think the failure of this ending serves to highlight Zach Snyder’s failure in this film as a whole. He is able to mimic the visual style and tone from the Graphic Novel but he fails in the nuances. Snyder’s Watchmen is a high-testosterone fan boy’s wet dream. It looks great, has plenty of sex and violence, but it’s lacking the maturity to know when enough is enough. Sometimes you just need to say, “Cut!” I can agree that the action sequences look cool but really, I got the point that Comedian is losing the fight. He could have gone out the window two minutes earlier and we would have lost nothing.

Speaking of Comedian, how great is Jeffrey Dean Morgan? The casting in general is great. While I wouldn’t have minded a slightly older Laurie, Malin Ackerman surprised me. I was expecting much worse. Carla Gugino’s make-up could have been improved, Matthew Goode’s build was a little odd for Adrian, and a couple of other minor complaints but for the most part I loved everyone. Occasionally I had moments of pity for the actors, some of the scenes were just god-awful, but the actors themselves did what they could with what they were given. In some instances they were competent, in others they excelled.

The three standouts for me, and I think for most everyone, are Morgan as Comedian, Patrick Wilson as Dan Dreiberg, and Jackie Earle Haley as Rorschach. I don’t even know where to begin in expressing my delight with Haley. From his voice to his posture to his expressions, he’s perfect. Absolutely, spot on. He is Rorschach; it’s as simple as that. It’s a rare thing to see someone bring a character to life so completely (Dark Knight comparisons are obvious here, I think). Haley’s performance alone makes Watchmen worth it for me.

As a fan of the comic, I went into this movie expecting the worst. I’m happy to say that that’s not what we get. Watchmen, while not great, is far from horrible. It’s flawed in many ways and I think the blame for that falls completely to Zach Snyder. He’s great at preserving the visual feel of these comics, but he’s not a very good director. His character development is atrocious (a problem 300 had as well), his music selection juvenile (we’re supposed to be watching a movie, not a music video for Sound of Silence), and he just doesn’t know when, or how, to step away from the source material. The 163 minute running time is cumbersome, to say the least.

I'd just like to point out that the graphic novel is the source material, the inspiration. It's not supposed to be the storyboard. There are scenes that are almost frame for frame lifted from the comic. While cool maybe once or twice, here or there, it's just unnecessary. The direction frequently comes across as pandering to fan boy sensibilities rather than focusing on making a good film.

Despite all of this Watchmen manages to remain a decent film. The problem for fans of the comic is going to be in seeing all of the ways in which a change could have been made to make this a better Movie. For people new to the story the problem may come in trying to follow the complex narrative. However, on both sides there is plenty of room for enjoyment. In fact, I have yet to come across anyone, fan or not, who hasn’t liked the movie. Everyone has at least a small complaint but we all agree that we enjoyed it.

For all of its flaws, Watchmen is a cultural experience worth being a part of. It’s worth giving a chance.

***

One of my favorite parts of the whole damn movie is the opening credit sequence. Watch it again online.